WWI Signature Quilt


signatures from the front

This quilt is an exceptional piece in our collection.


It pays tribute to the memories of many courageous individuals who fought overseas during World War I, including those who lost their lives while fighting for their country and never returned home. This is the story of the quilt and those it commemorates.


Individual squares index and stories


If you are looking for a specific person's signature on the quilt, please use this index to locate the corresponding square and find additional details.

The 'Signature' Quilt

After conducting extensive research, we are confident that we have determined the creators and method behind our Signature Quilt.


Our quilt is being referred to as a signature quilt, rather than an autograph quilt. Although many organisations during the war called these types of quilts 'autograph' quilts, the names on our quilt weren't necessarily signed by those featured on the quilt. Instead, some names were provided by family members.


Many names of soldiers who died fighting overseas were included on the quilt to honour their memories, as requested by their families.


Who created it?

There has been a prolonged debate about the origin of this quilt.


It was thought to be created by a local group 'The ANZAC Club' to raise funds to send 'comfort parcels' to the men and women at the front during World War One. However, after researching the names of committee members of this club, no connections or links to the signatures on the quilt could be found.


Another local group ' the Allies Stall', formed by members of local churches also created a quilt to raise funds for the war effort, by charging sixpence to anyone who wanted to add their name to the quilt. Created by Mrs Hall of Chandler Street, Williamstown, this quilt was donated to the Williamstown Hospital at the end of the war. The description of this quilt did not match that of the one in our possession


Given we knew the quilt was donated in 1971 to the society by Miss Win Stewart, a relative of Captain Stewart Murray Hansen and that he had collected some of the signatures on the quilt at the suggestion of his mother, Mrs Agnes Hansen, the search was focussed on her connection to local organisations. Mrs Hansen was named as a committee member of the 14th Battalion Comforts Fund, her sons regiment and a possible connection.

14th Battalion Comforts Fund

This fundraising group was established in September 1916 with the authority of the Defence Department. Miss Dare, sister of Lieutenant-Colonel C.M.M. Dare, D.S.O., the commanding officer of the 14th Battalion, called a meeting of the mothers, wives and friends of the battalion and a committee was established.


Mrs Agnes Hansen, a committee member and the mother of Captain Stewart Murray Hansen of the 14th Battalion, had an idea to send blank squares of calico to her son. She asked him to collect signatures from the servicemen of the 14th Battalion, as well as from other servicemen and women he met, such as medics, nurses, doctors, members of the new Air Corps, and even cooks and stewards. These squares were then sent back home to be included on a quilt.

The connection

The last names of many committee members of the 14th Battalion Comforts Fund match those on the quilt, belonging to their sons, husbands, brothers, and fathers. At last a connection between the quilt, the servicemen named on it and the group who created it.


While there is no surviving documentation to support this conclusion, and no references in any papers of the time mentioning this group and the creation of the quilt, we have arrived at the certainty that Mrs. Hansen and the other members of her group created the quilt as a means of raising funds for their cause.


Read the full story

How was it made?

The quilt is constructed from 73 calico squares and measures 220cm by 169cm. It is currently mounted behind perspex, within a frame.


The ladies of the 14th Battalion Comforts Fund dedicated themselves to carefully embroidering over the top of all of the almost 1500 signatures collected,  in a red cotton thread to preserve them before the squares were edged and assembled as a quilt.

Read the full story

Hansen family connection

We can only surmise that as Mrs Hansen was heavily involved in the creation of the quilt and her son, Stewart Murray Hansen had obtained so many of the signatures that the committee of the 14th Battalion Comforts Fund felt it should remain with her.


The quilt was eventually donated to the Williamstown Historical Society in 1971 by long-standing committee member Miss Win Stewart, a cousin of Captain Hansen.

Conservation

In 1995 the quilt was sent to the Victorian Centre for the Conservation of Cultural Material (VCCCM), where it was vacuumed to remove any surface dust and dirt. Then washed by hand, rinsed five times and then dried flat. Once the cleaning process had finished, the quilt was backed by a cheesecloth fabric, and attached by velcro.


The VCCCM recommended the quilt be kept out of direct sunlight and lights turned off when not on view.


In 2015 the quilt was framed with timber and perspex for the exhibition 'Follow the Flag' Australian Artists and War 1914-45'; held at the National Gallery of Victoria to mark the centenary of the landing at Gallipoli.

Our World War One Quilt is now over 100 years old and one of the Historical Society's treasured artefacts. It has been exhibited in several galleries over the years, due to its uniqueness in containing the signatures of many serving personnel, not just of the contributing local donors.

Signatures on the quilt

One of our volunteers Pat Klemm has painstakingly recorded all of the names embroidered on the quilt. Deciphering all the names was a mammoth task and without her efforts, trying to find the stories of the people behind the signatures would have been impossible.


Ongoing investigations are being conducted to reveal more of the stories behind the 'Signatures from the Front'.


Individual Stories

Can you help?

Do you know the story of any individuals on our quilt?

Signatures A - L Signatures M - Z

We would like to know more about the people who signed the quilt, including their roles during the war and where they served.


Thank you for contributing any information you have using the link below.

Email your story

References

Image 1 (Header): Williamstown Historical Society

Image 2: Williamstown Historical Society


Research undertaken by Jennie Moloney, Williamstown Historical Society 2023


Image 3: "An informal group portrait of Officers of the 14th Battalion, packed up, ready to leave Heliopolis", Australia War Memorial. 1915. A01219

https://www.awm.gov.au/collection/C999906?image=1. Access 6 Feb 2024. Left to right: Lieutenant (Lt) Bertrand Combes, Lt Hanley (probably John Gordon Theo Hanby), Lt Alan Henry, Lt George Cooper, Lt Keith George Wallace Crabbe (later killed in action 22 August 1915), Lt Graham, Lt Arthur Herbert Curwen-Walker, Captain (Capt) Henry Gerald Loughran, Lt Warren, Capt McDonald, Adjutant 16th Battalion, Capt Clive Emmerson Connelly and an unidentified orderly.


Signatures List: Deciphered and recorded by Pat Klemm, Williamstown Historical Society.


Blogs

By Freya Smart April 16, 2026
On July 10, 1860, the Williamstown Mechanics Institute was opened with an extensive soiree. With the institute’s opening, it was also decided to create a public library associated with the institute, in the hope that the institute could take advantage of the government grant for free libraries. [1] Later that year, in October, it was announced that 200 volumes had been added to the library in the last six months, bringing the total number of volumes to 940. Furthermore, upwards of 1000 books had been issued to users in the library’s first half-year of being opened. [2] Reports from later that decade continued to outline the extensive additions to the library, including “the writing of our most celebrated Philosophers, Statemen, and Travellers.” The committee sought not to only add to the library works of fiction, but also “those works which have a direct tendency to instruct and elevate the minds of readers.” In April 1867, it was reported that 1,932 books had been issued in the past six months, revealing the steady rise in popularity of the library. [3] By May 1869, £2500 had been spent on the Mechanics Institute building, and the library’s total number of books had reached 2,532. Ability to loan books from the Melbourne Library meant that members could choose from 4,000 books in total. It was also at this time that a “most comfortable and attractive” reading room was opened, which hosted a fireplace and “the most popular newspapers and magazines of the time.” [4] Later that year, in October, an auction was held to get rid of damaged books. The proceeds of the auction were to be for the purchase of new books, thus “maintain[ing] the high standard of excellence which [the] Library has attained,” and providing library members with “works of the great writers of the day”, including those in disciplines such as theology, science, arts, history, biography, travels, poetry, and fiction. With satisfaction, the committee also noted that attendance of the reading room had increased considerably. [5] In April 1870, the committee announced that they had continued to make valuable additions to the library, displaying “great discrimination in choosing only such as will tend the elevate the taste of the readers.” Books added included Henry Fawcett’s Manual of Political Economy, Napoleon’s Julius Caesar, Charles Dickens’ Our Mutual Friend, and Alfred Tennyson’s Holy Grail, among many others. [6] By April 1871, the library’s total number of books had now reached 2,467. The Reading Room continued to be well-attended, including by seamen who frequent the Williamstown piers, who were allowed free admission. [7] In July 1873, a report from the annual meeting of the Victorian Seamen’s Mission announced that 30,000 to 35,000 seamen visited Victoria each year, revealing the importance of the free reading room at Williamstown. [8] According to a report from October 1874, in the past six months the committee had added compilations of Dickens, Thackeray, and Scott. 109 volumes had also been rebound, thus leaving the library in a more satisfactory state regarding both the number of volumes and their condition.[9] In October 1877, it was noted that there had been an increase in attendance of the reading room by officers, apprentices, and seamen. Shipping firms had promised subscriptions to the funding of the institute for their seamen. The President of the institute believed that the free reading room would provide “comfort and improvement of the seamen in their employ, thereby checking the abominable vice of drunkenness that prevails among sailors when they are left to their own resources.”[10] In April 1879, the library increased its opening hours.[11] Later that year, the front room of the library was fitted for public convenience, and the public were allowed free access to the library.[12] In November 1879, the institute changed its name to “The Williamstown Mechanics’ Institute and Free Library,” which had been necessary to enable the library to receive government funding.[13] By April 1886, over 4,250 volumes were now in the library. Various clubs and societies had also begun to use rooms in the library, including the Amalgamated Society of Engineers, the Williamstown Shipwright’s Society, the Williamstown Horticultural Society, the Williamstown Eight Hours Society, and more. The library had also received a donation of twenty images from the Melbourne Public Library, which were to be framed and hung around the institute.[14] In April 1886, an editorial in the Williamstown Chronicle written by representatives of the institute criticised the lack of library subscribers, particularly among the youth, who appeared to be more interested in sports rather than mental cultivation. The writer lamented that they cannot see how a couple of hours spent at our Mechanics’ Institute – or other kindred establishment of a night – would at all lessen a young man’s prowess in the sports arena, and, when the more serious duties of life come to be entered on, the knowledge thus acquired would be of infinitely more service to him…[15] In April 1888, at the institute’s AGM, it was suggested that there should be more attention given to accommodation in the reading room, which would “induce youths to cultivate literary knowledge instead of congregating at corners and walking about the streets.” [16] The library was thus seen as of vital importance in educating Williamstown’ youth. I n October 1891, another letter to the editor of the Chronicle urged the social and individual importance of the library: Can you explain how it is that the bulk of Williamstown people fail to appreciate the local institute and free library to the extent it deserves? Maybe it is that they really do not fully understand the intellectual feasts that are daily offered for their acceptance… The existence of the institution wholly depends upon the support of the public, and surely every intelligent member of our community must feel that such an institution is beneficial and elevating in character, and an advantage to the town.[17] In January 1899, the library had nearly 5000 volumes and was considered “one of the best in the suburbs.”[18] In January 1903, the institute’s committee entered into an agreement with the town council to municipalise some parts of the institute, while keeping the library and reading room under the control of a joint committee of council members and representatives of the institute. The agreement was on the condition that the council erect a new hall for the institute capable of seating 300 people.[19] By May 1909, the library had continued to expand, housing 5456 books on its shelves, with a total of 234 chairs inside the institute.[20] . November 1925 saw renovations for the institute: the flooring of the stage was renewed, the public reading room was furnished with new periodicals, and framed photographs of Australasian scenic spots were hung on the walls.[21] By January 1927, the library was composed of more than 9,000 books, periodicals, and magazines.[22] A report from May 1928 announced that the library now catered for 500 families, which was a higher percentage of the population than any other suburban library. It was also noted that for the past years, the library had not received any government grants but had rather been supported entirely by member subscriptions, and “those desirous to read”.[23] In August that year, a junior section was added to the library.[24] In July 1929, there was a motion that the committee confer with the Williamstown City Council in order to obtain a grant for the purchase of educational literature. With a grant of £350 a year, the committee said they would provide educational literature, a free children’s library, and a free reading room that included papers and magazines. The agreement would be under the control of a joint committee of the council and representatives of the institute.[25] In September that year, the institute sent a letter to the council, stating that they were not prepared to accept the offer to take over the assets and liabilities of the institute upon terms which they felt meant the municipalisation of the institute. The committee renewed its application for a grant, and representatives argued that the institute had done a lot for the educational needs of the municipality, thus meriting council support. Ultimately, the establishment of a children’s library and free library would benefit all.[26] The next month, the Mayor moved that £100 be spent on the institute, and in November the council asked the institute to indicate how they would spend the money. The institute’s committee responded that they would establish a free children’s library with 800 books. Twenty-four women had also volunteered to help get the library going. It was hoped the children’s library would be finished for Christmas.[27]
By Nicole Harris April 16, 2026
Architect: Charles James Polain (1856-1899)
By Nicole Harris April 16, 2026
Architect: Michael Egan (c.1846 - 1912)
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